{"id":2624,"date":"2025-10-21T12:43:15","date_gmt":"2025-10-21T04:43:15","guid":{"rendered":"https:\/\/homeofmaterials.com\/2025\/10\/21\/kitchen-of-the-week-smilf-creator-frankie-shaws-newfangled-old-fashioned-remodel-by-reath-design\/"},"modified":"2025-10-21T12:43:15","modified_gmt":"2025-10-21T04:43:15","slug":"kitchen-of-the-week-smilf-creator-frankie-shaws-newfangled-old-fashioned-remodel-by-reath-design","status":"publish","type":"post","link":"https:\/\/homeofmaterials.com\/it\/kitchen-of-the-week-smilf-creator-frankie-shaws-newfangled-old-fashioned-remodel-by-reath-design\/","title":{"rendered":"La cucina della settimana: la ristrutturazione in stile antico di Frankie Shaw, creatrice di \u2018SMILF\u2019, realizzata da Reath Design"},"content":{"rendered":"

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So many renovations we see nowadays entail brightening up interiors and whiting out\u2014quite literally\u2014what was originally there. What we admire about interior designer Frances Merrill, of Reath Design in Los Angeles, is her unique, trend-bucking strategy: rather than open up spaces and painting everything white, she creates cocoons of color, pattern, and moody warmth.<\/p>\n

This cozy eat-in kitchen she designed for actress and SMILF<\/em> creator Frankie Shaw, and her TV writer husband, Zach Strauss, exemplifies her design philosophy. When the couple bought their 1937 Monterey Colonial house, located in the Franklin Hills section of Los Feliz in LA, the kitchen had bland white cabinets. (The rest of the home was similarly uninspired.) They wanted something with more personality and asked Frances to color it in with her trademark design daring.<\/p>\n

Frances delivered with a kitchen that\u2019s cheerful without being overly bright, period-sensitive without being kitschy, and bold without being garish. \u201cWe spend a lot of time at the beginning of each project coming up with a specific visual language,\u201d she shares. \u201cAnd then throughout the job we are constantly adding and subtracting colors and materials to get the balance right.\u201d<\/p>\n

Let\u2019s take a tour of this singular space:<\/p>\n

Photography by Laure Joliet, courtesy of Reath Design.<\/p>\n


Above: First things first: Frances got rid of the white laminate cabinets and had more period-appropriate tongue-and-groove cabinets built in their stead. A coat of Benjamin Moore\u2019s French Horn 195, a muddy yellow, applied to both the walls and cabinets makes the small space feel bigger. A vintage Moroccan checkerboard rug is a graphic counterpoint to the botanical wallpaper in the dining area.
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Above: Oversized wood drawer knobs from Nice Knobs add personality, as does the open shelving, which allows the couple to display art and some of their more unique kitchen items. A single row of Interceramic tiles (in Wineberry) forms the backsplash.,

Above: A curved breakfast bar softens up the hard angles in this nook. \u201cThe windows had been painted white in some parts of the house, so we brought them back to the original color,\u201d says Frances. The pendant lights are from Rejuvenation and feature the bronze and wood Nehalem Fitter Pendant.
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Above: A coffee and pantry area is just beyond the kitchen. The skirted sink lends some vintage charm.
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Above: An unexpectedly pretty side door, thanks to colored glass panels (from Sunshine Glass) that replaced the standard clear ones.
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Above: The view from the powder room into the pantry.
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Above: The dining area, on the other side of the kitchen. \u201cThe wall between the kitchen and dining room had been knocked down in a previous renovation. It wasn\u2019t very elegantly done so we added casing and a bullnose detail to the opening to make it feel more like it was an original detail,\u201d says Frances.
Above: A black Naugahyde banquette wraps around a corner of the dining area. Klaus Haapaniemi\u2019s Pheasants Wallpaper covers the walls in this section. Ruemmler\u2019s No. 556 pendant light hovers over the Maine Table by Parker Burkhart (formerly 4th Period Woodshop). <\/p>\n

For more Reath-designed spaces, see:<\/p>\n